One of the first things I ask in an initial lesson to get to know the student is: Who are your favourite artists, works, or productions? And if you could sing purely for enjoyment, what piece would you choose?

Exploring the ideas and misconceptions of operatic singing.

Once you’ve built strong vocal fundamentals — a high soft palate, balanced mask resonance, and steady breath control — you gain something really important: Control over colour and intensity. You’re not just trying to “get through” the note anymore. You’re choosing how it sounds. I like to think of three main positions in the voice: 1. Open This is the most speech-like and contemporary position. There’s the least amount of lean in the larynx. The sound feels free and natural. Yes, there’s...